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How a performer chooses to dress onstage is often
the most critical element of identity, next to the music itself. One artist's
decision to wear street clothes is as deliberately self-expressive as
another's choice to don an elaborately constructed, highly ornamented
costume, accessorized from head to toe.
The Time was one of Minneapolis's most sartorially
distinctive bands in the 1980s. According to Prince biographer Dave Hill,
The Time's look had its roots in vintage clothing shops like Tatters,
then located at Hennepin and Twenty-Fourth Street in Minneapolis. Proprietor
Marc Luers recounted to Hill: "They were way ahead of the white kids.
They just knew it: they knew the stuff, the double-breasted '50s and '40s
suits. … They had to kind of show Monte [Moir, the sole white member]
the way. … Back in 1980, no one even knew what pleated pants were.
But these guys'd want them all."1 Moir's 1940s-style fedora
and Stacy Adams loafers completed the look. Stacy Adams shoes, manufactured
in Brockton, Massachusetts, since 1875, have long been a choice of African
American men wishing to present a hip or cool image.

1. Dave Hill, Prince: A Pop Life (New York: Harmony Books, 1989), 102-03.
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