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      <eadid countrycode="us" mainagencycode="MnHi">sv000010.xml</eadid>
      <filedesc>
         <titlestmt>
            <titleproper>SOUL ASYLUM:</titleproper>
            <subtitle>An Inventory of Its Video Collection at the Minnesota Historical Society</subtitle>
            <author>Finding aid prepared by Jennifer Huebscher</author>
         </titlestmt>
         <publicationstmt>
            <publisher encodinganalog="Publisher">Minnesota Historical Society</publisher>
            <address><addressline>St. Paul, MN.</addressline></address>
         </publicationstmt>
      </filedesc>
      <profiledesc>
         <creation>Finding aid encoded by Jennifer Huebscher<date>November 2008</date></creation>
         <langusage>Finding aid written in <language langcode="eng">English</language>. </langusage>
      </profiledesc>
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            <revisiondesc>
               <change>
                  <date>Date of change</date>
                  <item>Updated by ? because of ?</item>
               </change>
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   </eadheader>
   
   <archdesc level="collection" type="inventory" relatedencoding="MARC">
      <did>
         <head id="a1">OVERVIEW</head>
         <repository label="Label:">
            <corpname>Minnesota Historical Society</corpname>
         </repository>
         <origination label="Creator:">
            <corpname role="creator" encodinganalog="110">Soul Asylum (Musical group).</corpname>
         </origination>
         <unittitle label="Title:" encodinganalog="245$a">Soul Asylum video collection
            [videorecording].</unittitle>
         <unitdate label="Date:" encodinganalog="260$c" type="inclusive" normal="1988/1998">1988-1998.</unitdate>
         <!--NOTE TO PROCESSOR: Repeat the language element for each language.
                  Separate each langauge by a space and a comma. -->
         <langmaterial label="Language of Materials">Materials in <language langcode="eng"
            >English.</language></langmaterial>
         <abstract label="Abstract:">Comprised of interviews, music videos, documentaries and
            photographs of the Minneapolis band. Some videocassettes were produced for general
            distribution or promotional use. Other videocassettes are recordings from news or cable
            programs.</abstract>
         <physdesc label="Quantity:" encodinganalog="300">29 videocassettes (VHS) : sound, color ; 1/2
            in. master copy.  3 videocassettes (VHS) : sound, color ; 1/2 in. user copy. 8 photoprints : b&amp;w ; 8x10 in. and smaller.</physdesc>
         <physloc label="Location:"> I.380. </physloc>
      </did>
      <bioghist encodinganalog="545">
         <head altrender="history" id="a2">HISTORICAL NOTE</head>
         <p>Minneapolis friends Dan Murphy and Karl Mueller decided in the summer of 1981 to start a
            rock band. Murphy had played guitar in a band during high school and Mueller was just
            learning to play the bass guitar but they needed a drummer. Mueller knew Dave Pirner
            through mutual friends and asked him about playing drums. They formed a three piece
            group under the name Loud Fast Rules, playing in garages, at parties, and eventually in
            local clubs and bars such as First Avenue. Pirner had also been guitarist in a band
            called The Shitz, in which Mueller and Murphy had seen him play. They realized that
            Pirner was a better guitarist and singer than drummer and moved him from drums to rhythm
            guitar and vocals, while Pat Morley was added on drums. In January of 1984 the group
            changed its name to Soul Asylum. During that year the group signed with
            Minneapolis-based independent record label Twin/Tone Records for their first album <emph
               render="italic">Say What You Will</emph> (1984). After the album was produced Morley
            left the group and Grant Young was introduced as drummer. On November 13, 1984 the group
            headlined for the first time at 7th Street Entry (Minneapolis). The album was later
            re-released under the title<emph render="italic"> Say What You Will Clarence. . . Karl
               Sold the Truck</emph> (1984). For the next nine years the band played countless
            United States club shows and toured parts of Western Europe. They had some success as a
            live show, gathered a small following of fans, and made the college radio charts;
            however, their album sales were consistently low. Soul Asylum made three additional
            albums under Twin/Tone before their final production under that label, <emph
               render="italic">Clam Dip &amp; Other Delights</emph> (1988). The band signed with
            A&amp;M Records in 1989 as part of a distribution agreement between Twin/Tone and
            A&amp;M. Their first album released through A&amp;M was<emph render="italic">
               Hang Time</emph> (1988), produced by Lenny Kaye before the contracts between
            A&amp;M and Twin/Tone were finalized. After the mostly unsuccessful release of their
            1990 album, <emph render="italic">Soul Asylum and the Horse They Rode In On</emph>
            (1990), the band found themselves languishing at A&amp;M Records without much
            support, album promotion, or enthusiasm for another album. Soul Asylum found that they
            were not so much being dumped by A&amp;M Records as were being set adrift in a
            backwater of low promotion and low production titles. </p>
         <p>With album sales low and A&amp;M support waning, Soul Asylum nearly folded. The
            members took "day jobs" and reconsidered their purposes and goals as a band. During this
            time Pirner and Murphy wrote lyrics and music for acoustic songs and toured the Midwest
            club scene under the moniker Murphy and Pirfinkle. Early in 1992 the foursome decided to
            shop for a new record label and landed themselves in the studio of Columbia Records,
            where they produced <emph render="italic">Grave Dancers Union</emph> (1992). The album
            began with reasonably successful sales that skyrocketed after their third single,
            "Runaway Train," pushed the album to number eleven on the charts and caused it to sell
            to multi-platinum levels. The single, released on MTV with a public service
            announcement-like video about missing children, vaulted to number five on the charts.
            The success of <emph render="italic">Grave Dancers Union</emph> pushed the band into
            world-wide stardom, generating appearances at the inauguration of United States
            President Clinton, the concert for the 1996 opening of the Rock and Roll Hall of Fame,
            the White House for the signing of the National Service Trust Act of 1993, the MTV Music
            Awards, several United States and international tours, and television interviews on the
            "Tonight Show with Jay Leno" and the "David Letterman Show." </p>
         <p>It was more than two years before Soul Asylum began working on their follow-up album,
            which was produced by Butch Vig and released on the Columbia label, under the title
               <emph render="italic">Let Your Dim Light Shine</emph> (1995). The album was well
            received by a large audience, but did not achieve the sales success of its predecessor.
            It topped at number six on the charts, and the single "Misery" hit the Top 20. Their
            next album, released in 1998, was <emph render="italic">Candy From a Stranger</emph>
            (1998). The album received solid, though not sparkling, reviews and respectable sales in
            spite of indie and punk fans' attitude that the band had "sold out" to a softer, more
            mainstream sound with their last two albums.</p>
         <p>Drummer Grant Young played with the group from 1984 to 1993, leaving shortly after the
            release of <emph render="italic">Grave Dancers Union</emph>, though it was 1995 before a
            separation agreement was finalized. Sterling Campbell replaced Young in 1993, drumming
            with the group through the 1998 production of <emph render="italic">Candy From a
               Stranger</emph>, after which he departed to pursue independent music projects. At
            that time, Ian Mussington was hired as drummer. Dan Murphy also played with Minneapolis'
            Golden Smog in the 1990s. Pirner contributed to the vocals for Golden Smog's album<emph
               render="italic"> On Golden Smog</emph> (1996), the sound track for the motion picture
               <emph render="italic">Chasing Amy</emph>, and on many other collaborations.</p>


      </bioghist>
      <arrangement>
         <head id="a4">ARRANGEMENT</head>
         <p>This collection is arranged into five series.</p>
         <list>
            <item>Music videos.</item>
            <item>Compilations.</item>
            <item>Documentaries and interviews.</item>
            <item>Programs.</item>
            <item>Photographs.</item>
         </list>
      </arrangement>
      <controlaccess>
         <head id="a7">CATALOG HEADINGS</head>
         <p>This collection is indexed under the following headings in the catalog of the Minnesota
            Historical Society. Researchers desiring materials about related topics should <extref
               href="http://mnhs.mnpals.net/F" show="new" actuate="onrequest">search the
            catalog</extref> using these headings.</p>
         <controlaccess>
            <head>Topics:</head>
            <subject encodinganalog="650">Alternative rock music -- 1981-1990 -- Minnesota.</subject>
            <subject encodinganalog="650">Alternative rock music -- 1991-2000 -- Minnesota.</subject>
            <subject encodinganalog="650">Folk-rock music -- 1981-1990 -- Minnesota.</subject>
            <subject encodinganalog="650">Folk-rock music -- 1991-2000 -- Minnesota.</subject>
            <subject encodinganalog="650">Grunge groups -- Minnesota.</subject>
            <subject encodinganalog="650">Grunge music -- 1981-1990 -- Minnesota.</subject>
            <subject encodinganalog="650">Grunge music -- 1991-2000 -- Minnesota.</subject>
            <subject encodinganalog="650">Music videos.</subject>
            <subject encodinganalog="650">Punk rock music -- 1981-1990 -- Minnesota.</subject>
            <subject encodinganalog="650">Rock groups -- Minnesota.</subject>
            <subject encodinganalog="650">Rock videos.</subject>
         </controlaccess>
         <controlaccess>
            <head>Persons:</head>
            <persname role="origination" encodinganalog="700">Mueller, Karl H. (Karl Herman), 1963-</persname>
            <persname role="origination" encodinganalog="700">Murphy, Dan.</persname>
            <persname role="origination" encodinganalog="700">Pirner, David.</persname>
            <persname role="origination" encodinganalog="700">Young, Grant.</persname>
         </controlaccess>
         <controlaccess>
            <head>Organizations:</head>
            <corpname role="origination" encodinganalog="710">A&amp;M Records (Firm)</corpname>
            <corpname role="origination" encodinganalog="710">Acorn Media (Firm)</corpname>
            <corpname role="origination" encodinganalog="710">Columbia Records, Inc.</corpname>
            <corpname role="origination" encodinganalog="710">Harder/Fuller Films (Minneapolis,
               Minn.)</corpname>
            <corpname role="origination" encodinganalog="710">MTV Networks.</corpname>
            <corpname role="origination" encodinganalog="710">Pinnacle Studios (Seattle, Wash.)</corpname>
            <corpname role="origination" encodinganalog="710">Sony Music Operations.</corpname>
            <corpname role="origination" encodinganalog="710">Twin Tone Records (Firm : Minneapolis,
               Minn.)</corpname>
            <corpname role="origination" encodinganalog="710">Warner Reprise Video (Firm)</corpname>
         </controlaccess>
         <controlaccess>
            <head>Document Types:</head>
            <genreform encodinganalog="655">Video recordings.</genreform>
         </controlaccess>
      </controlaccess>
      <descgrp type="admininfo">
         <head id="a8">ADMINISTRATIVE INFORMATION</head>
         <accessrestrict encodinganalog="506">
            <head>Access Restrictions:</head>
            <p>Access to the master copies is restricted and requires the permission of the sound
               and visual curator.  Please consult the reference staff for more information.</p>
         </accessrestrict>
         <userestrict>
            <head>Use Restrictions:</head>
            <p>Items in this collection are for viewing purposes only.</p>
         </userestrict>

         <prefercite encodinganalog="524">
            <head>Preferred Citation:</head>
            <p><emph render="italic">[Indicate the cited item and/or series here]. </emph>Soul
               Asylum (Musical group). Soul Asylum video collection. Minnesota Historical Society.</p>
            <p>
               <emph render="italic">See the Chicago Manual of Style for additional examples.</emph>
            </p>
         </prefercite>
         <acqinfo encodinganalog="541">
            <head>Accession Information:</head>
            <p>Accession number: AV2005.95.</p>
         </acqinfo>
         <processinfo>
            <head>Processing Information:</head>
            <p>Processed by: Jennifer Huebscher, November 2008.</p>
            <p>Catalog ID number: 006725187</p>
         </processinfo>
      </descgrp>
      <dsc type="combined">
         <head id="a9">DETAILED DESCRIPTION</head>

         <c01 level="series">
            <did>
               <unittitle>Music Videos</unittitle>
            </did>
            <scopecontent>
               <p>Comprised of a selection of Soul Asylum’s music videos from various albums and
                  labels.</p>
            </scopecontent>
            <c02>
               <did>
                  <physloc>I.380</physloc>
                  <container type="video">1</container>
                  <unittitle>Cartoons. A&amp;M Records,</unittitle>
                  <unitdate>1988. </unitdate>
                  <physdesc>1 master videocassette (VHS) (4 min.) : sound, color ;
                     1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
            </c02>
            <c02>
               <did>
                  <container>2</container>
                  <unittitle>Sometime to Return. A&amp;M Records,</unittitle>
                  <unitdate>1988. </unitdate>
                  <physdesc>1 master videocassette (VHS) (3 min.) : sound, color ;
                     1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p>
                      
                  </p>
               </accessrestrict>
            </c02>
            <c02>
               <did>
                  <container>3</container>
                  <unittitle>Easy Street. A&amp;M Records,</unittitle>
                  <unitdate>1990. </unitdate>
                  <physdesc>1 master videocassette (VHS) (3 min.) : sound, color ;
                     1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p>
                                       </p>
               </accessrestrict>
            </c02>
            <c02>
               <did>
                  <container>4</container>
                  <unittitle>Somebody to Shove. Columbia Records,</unittitle>
                  <unitdate>1992. </unitdate>
                  <physdesc>1 master videocassette (VHS) (3 min.) : sound, color ;
                     1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
            </c02>
            <c02>
               <did>
                  <container>5</container>
                  <unittitle>Summer of Drugs. Sony Music Studios,</unittitle>
                  <unitdate>1993. </unitdate>
                  <physdesc>1 master videocassette (VHS) (4 min.) : sound, color ;
                     1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
            </c02>
            <c02>
               <did>
                  <container>6</container>
                  <unittitle>Runaway Train. Columbia Records,</unittitle>
                  <unitdate>1993. </unitdate>
                  <physdesc>1 master videocassette (VHS) (5 min.) : sound, color ;
                     1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
            </c02>
            <c02>
               <did>
                  <container>7</container>
                  <unittitle>Music video collection. Columbia Records,</unittitle>
                  <unitdate>1993. </unitdate>
                  <physdesc>1 master videocassette (VHS) (18 min.) : sound, color
                     ; 1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
               <scopecontent>
                  <p>Three music videos from Soul Asylum: "Somebody to Shove," "Black Gold," and
                     "Runaway Train." Also includes a video profile.</p>
               </scopecontent>
            </c02>
            <c02>
               <did>
                  <container>8</container>
                  <unittitle>Promises Broken. Columbia Records,</unittitle>
                  <unitdate>1995. </unitdate>
                  <physdesc>1 master videocassette (VHS) (3 min.) : sound, color ;
                     1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
            </c02>
            <c02>
               <did>
                  <container>9</container>
                  <unittitle>Just Like Anyone. Columbia Records,</unittitle>
                  <unitdate>1995. </unitdate>
                  <physdesc>1 master videocassette (VHS) (3 min.) : sound, color ;
                     1/2 in.</physdesc>
               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
            </c02>
            <c02>
               <did>
                  <container>10</container>
                  <unittitle>Misery. Columbia Records,</unittitle>
                  <unitdate>1995. </unitdate>
                  <physdesc>1 master videocassette (VHS) (4 min.) : sound, color ;
                     1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p>
                     Access to master copy  restricted.
                  </p>
               </accessrestrict>
            </c02>
            <c02>
               <did>
                  <container>11</container>
                  <unittitle>I Will Still Be Laughing. Columbia Records,</unittitle>
                  <unitdate>1999. </unitdate>
                  <physdesc>1 master and 1 user videocassette (VHS) (4 min.) : sound, color ; 1/2 in. </physdesc>

               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
            </c02>

         </c01>
         <c01 level="series">
            <did>
               <unittitle>Compilations</unittitle>
            </did>
            <scopecontent>
               <p>Comprised of videos that feature Soul Asylum amidst other bands and types of
                  music.</p>
            </scopecontent>
            <c02>
               <did>
                  <physloc>I.380</physloc>
                  <container type="video">12</container>
                  <unittitle>The Dark Ages: A Video Collection. Twin/Tone Records,</unittitle>
                  <unitdate>1989. </unitdate>
                  <physdesc>1 master and 1 user videocassette (VHS) (20 min.) : sound, color ; 1/2 in.</physdesc>

               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
               <scopecontent>
                  <p>Collection of six videos from bands on the Twin/Tone Records label featuring
                     Soul Asylum's "P-9."</p>
               </scopecontent>
            </c02>

            <c02>
               <did>
                  <container>13</container>
                  <unittitle>Video Sheetmetal. Warner Reprise Video,</unittitle>
                  <unitdate>1991. </unitdate>
                  <physdesc>1 master videocassette (VHS) (60 min.) : sound, color
                     ; 1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
               <scopecontent>
                  <p>Features Soul Asylum's "Spinnin," "Be on Your Way," and "Artificial Heart," as
                     well as videos from other bands.</p>
               </scopecontent>
            </c02>
            <c02>
               <did>
                  <container>14</container>
                  <unittitle>The Mississippi River of Song: The Grassroots of American Music.
                     Smithsonian Institution National Endowment for the Arts,</unittitle>
                  <unitdate>1999. </unitdate>
                  <physdesc>4 master videocassettes (VHS) (240 min.) : sound,
                     color ; 1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
               <scopecontent>
                  <p>The series features more than 40 acts and 500 musicians that focus on the
                     musical heritage of the Mississippi River region. Soul Asylum is featured in
                     the first tape.</p>
               </scopecontent>
            </c02>
         </c01>

         <c01 level="series">
            <did>
               <unittitle>Documentaries and Interviews</unittitle>
            </did>
            <c02>
               <did>
                  <physloc>I.380</physloc>
                  <container type="video">15</container>
                  <unittitle>The Twin/Tone Story. Twin Tone Records.</unittitle>
                  <physdesc>1 master videocassette (VHS) (25 min.) : sound, color
                     ; 1/2 in.</physdesc>
               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
               <scopecontent>
                  <p>Karl Muellar hosts the history of the Twin/Tone record label.</p>
               </scopecontent>
            </c02>
            <c02>
               <did>
                  <container>16</container>
                  <unittitle>Experience Music Project: Karl Muellar. Pinnacle Studios,</unittitle>
                  <unitdate>1998. </unitdate>
                  <physdesc>1 master videocassette (VHS) (40 min.) : sound, color
                     ; 1/2 in.</physdesc>
               </did>
               <accessrestrict>
                  <p>
                     Access to master copy  restricted.
                  </p>
               </accessrestrict>
               <scopecontent>
                  <p>Karl Muellar, bassist for Soul Asylum, discusses the band.</p>
               </scopecontent>
            </c02>
            <c02>
               <did>
                  <container>17</container>
                  <unittitle>Experience Music Project: Dave Pirner, Hours 1 and 2. Pinnacle Studios,</unittitle>
                  <unitdate>1998. </unitdate>
                  <physdesc>2 master videocassettes (VHS) (66 min.) : sound, color
                     ; 1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
               <scopecontent>
                  <p>Dave Priner, lead singer for Soul Asylum discusses the band, his influences,
                     and his life.</p>
               </scopecontent>
            </c02>
            <c02>
               <did>
                  <container>18</container>
                  <unittitle>Something Out of Nothing. Harder/Fuller Films,</unittitle>
                  <unitdate>2002. </unitdate>
                  <physdesc>1 master and 1 user videocassette (VHS) (28 min.) : sound, color ; 1/2 in.</physdesc>

               </did>
               <accessrestrict>
                  <p>
                     
                  </p>
               </accessrestrict>
               <scopecontent>
                  <p>A documentary covering the band's early years.</p>
               </scopecontent>
            </c02>

         </c01>

         <c01 level="series">
            <did>
               <unittitle> Programs</unittitle>
            </did>
            <scopecontent>
               <p>Comprised of video clips that feature Soul Asylum appearances on MTV programs and
                  television news broadcasts.</p>
            </scopecontent>
            <c02>
               <did>
                  <physloc>I.380</physloc>
                  <container type="video">19</container>
                  <unittitle>MTV Unplugged: Soul Asylum. MTV,</unittitle>
                  <unitdate>1993. </unitdate>
                  <physdesc>1 master videocassette (VHS) (30 min.) : sound,
                     color ; 1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p> 
                  </p>
               </accessrestrict>
               <scopecontent>
                  <p>Soul Asylum's performance for MTV's "Unplugged." Songs performed were "Runaway
                     Train," "Get on Out," "Somebody to Shove," "To Sir, With Love," "Black Gold,"
                     and "Without a Trace."</p>
               </scopecontent>
            </c02>
            <c02>
               <did>
                  <container>20</container>
                  <unittitle>KSTP Eyewitness News: Straight to the Point, "Minnesota's Runaway
                     Train." KSTP-TV,</unittitle>
                  <unitdate>1993. </unitdate>
                  <physdesc>1 master video cassette (VHS) (4 min.) : sound,
                     color ; 1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p> 
                  </p>
               </accessrestrict>
               <scopecontent>
                  <p>News piece on Soul Asylum's "Runaway Train" and its impact in finding runaways
                     and abducted children.</p>
               </scopecontent>
            </c02>
            <c02>
               <did>
                  <container>21</container>
                  <unittitle>MTV News: Soul Asylum and Bill Clinton. MTV,</unittitle>
                  <unitdate>1993. </unitdate>
                  <physdesc>1 master videocassette (VHS) (5 min.) : sound,
                     color ; 1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p> 
                  </p>
               </accessrestrict>
               <scopecontent>
                  <p>Segment regarding Bill Clinton's invitation to Soul Asylum to play on the White
                     House lawn in support of his National Services Act.</p>
               </scopecontent>
            </c02>
            <c02>
               <did>
                  <container>22</container>
                  <unittitle>MTV 120 Minutes: Soul Asylum. MTV,</unittitle>
                  <unitdate>1995. </unitdate>
                  <physdesc>1 master videocassette (VHS) (17 min.) : sound,
                     color ; 1/2 in. </physdesc>
               </did>
               <accessrestrict>
                  <p> 
                  </p>
               </accessrestrict>
               <scopecontent>
                  <p>Short clips of the band hosting MTV's 120 Minutes, St. Paul.</p>
               </scopecontent>
            </c02>
         </c01>

         <c01 level="series">
            <did>
               <unittitle> Photographs</unittitle>
            </did>

            <c02>
               <did>
                  <physloc>I.380</physloc>
                  <container type="print">23-30</container>
                  <unittitle>Photographs of the band posed, and live at the Minneapolis nightclub
                     First Avenue.</unittitle>

               </did>
               <altformavail>
                  <head>Alternate Form Available:</head>
                  <p>Selected images from this collection are also available in the <extref
                        href="http://collections.mnhs.org/visualresources/Results.cfm?Page=1&amp;Location=Collection%20I%2E380%2E%2A"
                        show="new" actuate="onrequest">Visual Resources Database.</extref>
                  </p>
               </altformavail>
            </c02>
         </c01>

      </dsc>
   </archdesc>
</ead>
