The Stories We Keep
Now on view at Minnesota History Center
Ticket price includes admission to all Minnesota History Center exhibits. MNHS Members get in free.
This exhibit features objects from MNHS collections—a rich trove built on the generosity and foresight of thousands of people who have entrusted us with their belongings and their stories.
Each object connects to a past moment. As you spend time with them, ask questions. Who made you? Who cherished and saved you? Did you change lives? What secrets do you hold?
Look closely, then read carefully. Let each story unfold. When you harness the power of objects to study the past, the discoveries never end.
For more than 175 years, the Minnesota Historical Society has preserved and shared the stories that define our state. The Stories We Keep, the inaugural exhibit in the Minnesota History Center’s new Collections Gallery, brings this mission to life through the remarkable objects from MNHS collections.
Milk carton kayak
Hymnal with beaded cover
Prince's gloves from Purple Rain
Handwritten Hubert Humphrey speech
Earl McGee contact sheets
Built in 1971 and raced in the second Minneapolis Aquatennial Milk Carton Boat Race a year later, this kayak crossed Bde Maka Ska (then known as Lake Calhoun) several summers until 1977.
Thirty years later, maker David Garron cleaned up the kayak and dubbed it “The Spirit of ‘71.” He recruited 71-year-old Dudley Flamm to steer the boat and, you guessed it: “Spirit” won first place in the 2001 race.

Okodakiciye Wakan Tadowan Kin/Hymnal According to the Use of the Protestant Episcopal Church in the Missions Among the Dakotas of the Missionary District of South Dakota
Compiled by William Hobart Hare, 1902
Purchase supported by Carl A. Weyerhaeuser Rare Books Fund
PM1024 .O463 1902
The artist—or artists—who created this book cover didn’t sign it. Missionary churches organized Wíƞyaƞ Omníc̣iye (women’s gatherings) where members created needlework, quilts, quillwork, and beadwork to sell to raise funds for the church. This book cover might have been made in such a group.
Native women used these church-sponsored maker spaces to build and reinforce community ties, and to pass along art traditions. That’s what makes this work so intriguing. Elements of Ojibwe and Cree beadwork styles appear on this Dakota-language hymnal. Where did the artists come from? Did women from other tribes visit or live at this reservation? Who taught whom?

Pages from Hubert Humphrey’s speech at the Democratic National Convention
July 1948
Hubert H. Humphrey papers, MNHS 8,138
Late on the last day of the 1948 Democratic National Convention in Philadelphia, Hubert Humphrey took the podium. He was midway through his second term as mayor of Minneapolis and was little known beyond his home state.
When Humphrey urged delegates to add a civil rights plank to the Democratic platform, the nation took notice. The speech was a turning point for Humphrey and for the country. A tireless advocate for human rights had made his presence known.
If you spent time in St. Paul’s Rondo neighborhood in the 1960s, you or someone you knew probably had their photo taken by Earl McGee (1929–2003). A community insider, McGee photographed large celebrations and the small details of daily life. Youth sports, neighborhood gatherings, parties, businesses, civil rights activities, and formal portraits—McGee captured it all.
A graduate of Macalester College, McGee taught at St. Paul Central High School before moving to Rochester, Minnesota. He spent 20 years there working on equal opportunity programs for IBM, but he considered Rondo his true home. You can take people out of Rondo, but you can’t take Rondo out of people, he wrote in 1983. None of us are promised tomorrow, but our yesterdays were grand.